Английский язык с Крестным Отцом
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room with his girl to get ready for supper and a quick bang while he was still warm from
the sun. Johnny wasn't in the mood, so he sent his girl, a short bandbox blonde named
Tina, up to shower by herself. He never could make love to another woman after he'd
had a fight with Virginia.
He went into the glass-walled patio living room that held a piano. When singing with
the band he had fooled around with the piano just for laughs, so he could pick out a
song in a fake moonlight-soft ballad style. He sat down now and hummed along a bit
with the piano, very softly, muttering a few words but not really singing. Before he knew
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it Tina was in the living room making him a drink and sitting beside him at the piano. He
played a few tunes and she hummed with him. He left her at the piano and went up to
take his shower. In the shower he sang short phrases, more like speaking. He got
dressed and went back down. Tina was still alone; Nino was really working his girl over
or getting drunk.
Johnny sat down at the piano again while Tina wandered off outside to watch the pool.
He started singing one of his old songs. There was no burning in his throat. The tones
were coming out muted but with proper body. He looked at the patio. Tina was still out
there, the glass door was closed, she wouldn't hear him. For some reason he didn't
want anybody to hear him. He started off fresh on an old ballad that was his favorite. He
sang full out as if he were singing in public, letting himself go, waiting for the familiar
burning rasp in his throat but there was none. He listened to his voice, it was different
somehow, but he liked it. It was darker, it was a man's voice, not a kid's, rich he thought,
dark rich. He finished the song easing up and sat there at the piano thinking about it.
Behind him Nino said, "Not bad, old buddy, not bad at all."
Johnny swiveled his body around. Nino was standing in the doorway, alone. His girl
wasn't with him. Johnny was relieved. He didn't mind Nino hearing him.
"Yeah," Johnny said. "Let's get rid of those two broads. Send them home."
Nino said, "You send them home. They're nice kids, I'm not gonna hurt their feelings.
Besides I just banged mine twice. How would it look if I sent her away without even
giving her dinner?"
The hell with it, Johnny thought. Let the girls listen even if he sounded lousy. He
called up a band leader he knew in Palm Springs and asked him to send over a
mandolin for Nino. The band leader protested, "Hell, nobody plays a mandolin in
California." Johnny yelled, "Just get one."
The house was loaded with recording equipment and Johnny had the two girls work
the turn-off and volumes. After they had dinner, Johnny went to work. He had Nino
playing the mandolin as accompaniment and sang all his old songs. He sang them all
the way out, not nursing his voice at all. His throat was fine, he felt that he could sing
forever. In the months he had not been able to sing he had often thought about singing,
planned out how he would phrase lyrics differently now than as a kid. He had sung the
songs in his head with more sophisticated variations of emphasis. Now he was doing it
for real. Sometimes it would go wrong in the actual singing, stuff that had sounded good
when he heard it just in his head didn't work out when he tried it really singing out loud.
OUT LOUD, he thought. He wasn't listening to himself now, he was concentrating on
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performing. He fumbled a little on timing but that was OK, just rusty. He had a
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metronome in his head that would never fail him. Just a little practice was all he needed.
Finally he stopped singing. Tina came over to him with eyes shining and gave him a
long kiss. "Now I know why Mother goes to all your movies," she said. It was the wrong
thing to say at any time except this. Johnny and Nino laughed.
They played the feedback and now Johnny could really listen to himself. His voice had
changed, changed a hell of a lot but was still unquestionably the voice of Johnny
Fontane. It had become much richer and darker as he had noticed before but there was
also the quality of a man singing rather than a boy. The voice had more true emotion,
more character. And the technical part of his singing was far superior to anything he had
ever done. It was nothing less than masterful. And if he was that good now, rusty as hell,
how good would he be when he got in shape again? Johnny grinned at Nino. "Is that as
good as I think it is?"
Nino looked at his happy face thoughtfully. "It's very damn good," he said. "But let's
see how you sing tomorrow."
Johnny was hurt that Nino should be so downbeat. "You son of a bitch, you know you
can't sing like that. Don't worry about tomorrow. I feel great." But he didn't sing any