Топография счастья
Шрифт:
Dwyer R. (2000b). Shooting stars: the Indian film magazine Stardust // Pleasure and the nation: the history, consumption and politics of public culture in India / R. Dwyer and Ch. Pinney (eds.). Delhi: Oxford University Press. P. 247–285.
Dwyer R. (2002). Yash Chopra // World directors’ series. London: British Film Institute / Berkeley: University of California Press / New Delhi: Roli Books.
Dwyer R. (2004). Yeh shaadi nahin ho sakti! (This wedding cannot happen!) // (Un)tying the knot: ideal and reality in Asian marriage. (Asian Trends, 2) / G. W. Jones and K. Ramdas (eds.). Singapore: Asia Research Institute, National University of Singapore. P. 59–90.
Dwyer R. (2005). 100 Bollywood films. London: British Film Institute.
Dwyer R. (2006). Filming the gods: religion and Indian cinema London, New York and Delhi: Routledge.
Dwyer R. (2009). Ich mag es, wenn du zomig wirst: Amitabh Bachchan, Emotionen und Stars im Hindi-film. (I love you when you’re angry: Amitabh Bachchan, the star and emotion in the Hindi film.) // Fokus Bollywood: das indische Kino in wissenschaftlichen Diskursen / C. Tieber (ed.). Mbnster: Lit. Veriag. P. 99–115.
Dwyer R. (2010a). Bombay Gothic: 60 years of Mahal / The mansion, dir. Kamal Amrohi, 1949 // Beyond the boundaries of Bollywood: the many forms of Hindi cinema / R. Dwyer and J. Pinto (eds.). Delhi: Oxford University Press (forthcoming).
Dwyer R. (2010b). «Zara hatke!»: The new middle classes and the segmentation of Hindi cinema // India’s new middle classes / H. Donner and G. de Neve (eds.). (No further details.)
Dwyer R. and Patel D. (2002). Cinema India: the visual culture of the Hindi film. London: Reaktion / New Brunswick: Rutgers University Press / Delhi: Oxford University Press.
Dyer R. (1977). Entertainment and utopia // Movie. № 24. Spring. P. 2–13.
Dyer R. (1979). Stars. London: British Film Institute.
Dyer R. (1986). Heavenly bodies: film stars and society. London: British Film Institute.
Dyer R. (1998). Stars. Supplementaiy chapter by Paul McDonald. London: British Film Institute.
Ekman P. and Davidson R. J. (1994) The nature of emotion: fundamental questions. New York: Oxford University Press.
Ehrenriech B. (2010) Smile or die: how positive thinking fooled America and the world. London: Granta.
Ellis J. (1992). Visible fictions: cinema, television, video. London: Routledge. (First edition 1982).
Elsaesser Th. (1985). Tales of sound and fury: observations on the family melodrama // Nichols B. Movies and methods. Berkeley: University of California Press. Vol II. P. 165–189. Reprinted 1972.
Elster J. (1999). Alchemies of the mind: rationality and the emotions. Cambridge: Cambridge University Press.
Emotion and the arts / H. Mette and S. Laver (eds.). Oxford: Clarendon Press, 1997.
Evans D. (2001). Emotion: the science of sentiment. Oxford: Oxford University Press.
Faking it: the sentimentalisation of modern society / D. Anderson and P. Mullen (eds). London: Penguin, 1998.
Feagin S. L. (1983). The pleasures of tragedy // American Philosophical Quarterly. № 95. P. 104.
Fisher Ph. (2002). The vehement passions. Princeton: Princeton University Press.
Foley M. (2010). The age of absurdity: why modern life makes it hard to be happy. London: Simon h Schuster.
Frey W. H. (1985). Crying: the mystery of tears. Minneapolis: Winston Press.
Frijda N. H. (1986). The emotions. New York: Cambridge University Press.
Gandhi M. K. (1909, 1997). Hind swaraj and other writings / Ed. A. J. Parel. Cambridge: Cambridge University Press.
Gilbert D. (2006). Stumbling on happiness. London: Harper Collins.
Goldie P. (2000). The emotions: a philosophical exploration. Oxford: Clarendon Press.
Graham C. (2009). Happiness around the world: the paradox of happy peasants and miserable millionaires. Oxford: Oxford University Press.
Grodal T. (1997). Moving pictures: a new theory of film genres, feelings and cognition. New York: Oxford University Press.
Haidt J. (2007). The happiness hypothesis: putting ancient wisdom and philosophy to the test of modem science. London: Heinemann.
Home is where the heart is: studies in melodrama and the woman’s film / Ch. Gledhill (ed.). London: BFI Books, 1987.
Inden R. B. (1999). Transnational class, erotic arcadia and commercial utopia in Hindi films // Image journeys: audio-visual media and cultural change in India / Ch. Brosius and M. Butcher (eds.). New Delhi: Sage Publications, 1999. P 41–66.
Keen S. (2007). Empathy and the novel. New York: Oxford University Press.
Kuhn A. (2002). An everyday magic: cinema and cultural memory. London: I. B. Tauris.
Layard R. (2005). Happiness: lessons from a new science. London: Penguin.