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Английский язык с Крестным Отцом

Франк Илья

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Every guest noticed that the Don paid no particular attention to this third son. Michael had been his favorite before the war and obviously the chosen heir to run the family business when the proper moment came. He had all the quiet force and intelligence of his great father, the born instinct to act in such a way that men had no recourse but to respect him. But when World War II broke out, Michael Corleone volunteered for the Marine Corps. He defied his father's express command when he did so.

Don Corleone had no desire, no intention, of letting his youngest son be killed in the service of a power foreign to himself. Doctors had been bribed, secret arrangements had been made. A great deal of money had been spent to take the proper precautions. But Michael was twenty-one years of age and nothing could be done against his own willfulness. He enlisted and fought over the Pacific Ocean. He became a Captain and won medals. In 1944 his picture was printed in Life magazine with a photo layout of his deeds. A friend had shown Don Corleone the magazine (his family did not dare), and the Don had grunted disdainfully and said, "He performs those miracles for strangers."

When Michael Corleone was discharged early in 1945 to recover from a disabling wound, he had no idea that his father had arranged his release. He stayed home for a few weeks, then, without consulting anyone, entered Dartmouth College in Hanover, New Hampshire, and so he left his father's house. To return for the wedding of his sister and to show his own future wife to them, the washed-out rag of an American girl.

Michael Corleone was amusing Kay Adams (развлекал) by telling her little stories about some of the more colorful wedding guests (о

наиболее колоритных). He was, in turn (в свою очередь), amused by her finding (что она находила) these people exotic, and, as always, charmed by her intense interest (очарован ее живым интересом) in anything new and foreign to her experience. Finally her attention was caught (ее внимание было привлечено) by a small group of men gathered around a wooden barrel (собравшихся вокруг деревянной бочки) of homemade wine. The men were Amerigo Bonasera, Nazorine the Baker, Anthony Coppola and Luca Brasi. With her usual alert intelligence (со свойственной ей живой, острой наблюдательностью; alert ['l:t] – бдительный, настороженный) she remarked (заметила, высказала наблюдение) on the fact that these four men did not seem particularly happy (не кажутся особенно счастливыми). Michael smiled. "No, they're not," he said. "They're waiting to see my father in private (наедине). They have favors to ask (хотят просить об одолжении, помощи)." And indeed it was easy to see that all four men constantly followed the Don with their eyes.

As Don Corleone stood greeting guests, a black Chevrolet sedan came to a stop on the far side of the paved mall (мощеной аллеи). Two men in the front seat pulled notebooks from their jackets and, with no attempt at concealment (не таясь: «без попытки укрывания, утаивания»; to conceal - утаивать), jotted down (начали записывать; jot – йота, ничтожное количество; to jot – кратко записать, бегло набросать) license numbers of the other cars parked around the mall. Sonny turned to his father and said, "Those guys over there must be cops (те парни вон там, должно быть, полицейские)."

Don Corleone shrugged. "I don't own the street (не владею улицей = улица – не моя собственность). They can do what they please."

Sonny's heavy Cupid face grew red with anger (стало красным от гнева). "Those lousy bastards (вшивые выродки), they don't respect anything." He left the steps of the house and walked across the mall to where the black sedan was parked. He thrust his face angrily close to the face of the driver, who did not flinch (не отклонился, не дрогнул; to flinch – вздрагивать /от боли, испуга/; уклоняться, отступать) but flapped open (открыл: «распахнул»; to flap – хлопать, шлепать) his wallet (бумажник ['wolit]) to show a green identification card (удостоверение). Sonny stepped back without saying a word. He spat (плюнул; to spit) so that the spittle hit the back door (что слюна попала на заднюю дверь) of the sedan and walked away. He was hoping the driver would get out of the sedan and come after him, on the mall, but nothing happened. When he reached the steps (дошел до ступеней: «достиг» ступеней) he said to his father, "Those guys are FBI men (FBI – Federal Bureau of Investigation /ФБР – Федеральное бюро расследований/). They're taking down all the license numbers. Snotty (сопливые; snot – сопли /груб./) bastards."

Don Corleone knew who they were. His closest and most intimate friends had been advised (его наиболее близким друзьям было посоветовано) to attend (посетить, присутствовать на ['tend]) the wedding in automobiles not their own. And though he disapproved (не одобрял) of his son's foolish display of anger (глупое выражение, демонстрацию гнева), the tantrum (вспышка раздражения [‘taentrm]) served a purpose (/по/служило цели ['p:ps]). It would convince the interlopers (убедит непрошенных гостей; interloper – человек, вмешивающийся в чужие дела) that their presence was unexpected (что их присутствие было неожиданным = что

их не ждали) and unprepared for (и к этому не были готовы). So Don Corleone himself was not angry. He had long ago learned that society imposes insults (наносит обиды: «накладывает оскорбления») that must be borne (которые нужно уметь стерпеть, снести: «которые должны быть носимы»), comforted (утешаясь) by the knowledge that in this world there comes a time when the most humble of men, if he keeps his eyes open, can take his revenge on the most powerful (может отомстить самому могущественному). It was this knowledge that prevented (предохранило, предупредило) the Don from losing the humility (от утраты смирения) all his friends admired in him (которым восхищались все его друзья [d'mai]).

But now in the garden behind the house, a four-piece band (квартет, оркестр из четырех музыкантов) began to play. All the guests had arrived. Don Corleone put the intruders out of his mind (выбросил из головы: «ума, памяти» мысли о незваных гостях) and led his two sons to the wedding feast (на свадебный пир).

Michael Corleone was amusing Kay Adams by telling her little stories about some of the more colorful wedding guests. He was, in turn, amused by her finding these people exotic, and, as always, charmed by her intense interest in anything new and foreign to her experience. Finally her attention was caught by a small group of men gathered around a wooden barrel of homemade wine. The men were Amerigo Bonasera, Nazorine the Baker, Anthony Coppola and Luca Brasi. With her usual alert intelligence she remarked on the fact that these four men did not seem particularly happy. Michael smiled. "No, they're not," he said. "They're waiting to see my father in private. They have favors to ask." And indeed it was easy to see that all four men constantly followed the Don with their eyes.

As Don Corleone stood greeting guests, a black Chevrolet sedan came to a stop on the far side of the paved mall. Two men in the front seat pulled notebooks from their jackets and, with no attempt at concealment, jotted down license numbers of the other cars parked around the mall. Sonny turned to his father and said, "Those guys over there must be cops."

Don Corleone shrugged. "I don't own the street. They can do what they please."

Sonny's heavy Cupid face grew red with anger. "Those lousy bastards, they don't respect anything." He left the steps of the house and walked across the mall to where the black sedan was parked. He thrust his face angrily close to the face of the driver, who did not flinch but flapped open his wallet to show a green identification card. Sonny stepped back without saying a word. He spat so that the spittle hit the back door of the sedan and walked away. He was hoping the driver would get out of the sedan and come after him, on the mall, but nothing happened. When he reached the steps he said to his father, "Those guys are FBI men. They're taking down all the license numbers. Snotty bastards."

Don Corleone knew who they were. His closest and most intimate friends had been advised to attend the wedding in automobiles not their own. And though he disapproved of his son's foolish display of anger, the tantrum served a purpose. It would convince the interlopers that their presence was unexpected and unprepared for. So Don Corleone himself was not angry. He had long ago learned that society imposes insults that must be borne, comforted by the knowledge that in this world there comes a time when the most humble of men, if he keeps his eyes open, can take his revenge on the most powerful. It was this knowledge that prevented the Don from losing the humility all his friends admired in him.

But now in the garden behind the house, a four-piece band began to play. All the guests had arrived. Don Corleone put the intruders out of his mind and led his two sons to the wedding feast.

There were, now, hundreds of guests in the huge garden, some dancing on the wooden platform bedecked (украшенной, убранной) with flowers, others sitting at long tables piled high with spicy food (заставленных острой, пикантной пищей; pile – куча, груда; to pile – сваливать в кучу) and gallon jugs (кувшинами. бутылями) of black, homemade wine. The bride, Connie Corleone, sat in splendor («в блеске, великолепии») at a special raised table with her groom, the maid of honor, bridesmaids and ushers (дружками и подружками; usher – швейцар; церемониймейстер; шафер). It was a rustic setting (сельская, деревенская атмосфера; setting – размещение, окружающая обстановка) in the old Italian style. Not to the bride's taste (не по вкусу), but Connie had consented (согласилась) to a "guinea" wedding to please her father because she had so displeasured him (так огорчила) in her choice of a husband (в выборе супруга).

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