«Евразийское уклонение» в музыке 1920-1930-х годов
Шрифт:
MILOSZ 1990 — Milosz Czeslaw. The Captive Mind / Tr. from the Polish by Jane Zielonko. — New York: Vintage International, 1990.
MIRSKY 1989 — Mirsky [Prince] D. S[viatopolk-]. Uncollected Writings on Russian Literature / Edited, with an Introduction and Bibliography, by G. S. Smith. — Berkeley: Berkeley Slavic Specialties, 1989. — (Modern Russian Literature and Culture: Studies and Texts. — Vol. 13).
MOREUX 1980 — Moreux Serge. «Le Paradis perdue» In Its Time / Transl. Bernard Jacobson // Tempo: A Quarterly Review of Modern Music. — London: Boosey and Hawkes, 1980. — № 133/134. — P. 58–60.
NABOKOV 1951 — Nabokov Nicolas. Old Friends and New Music. — Boston: Little, Brown and Co., 1951.
NABOKOV 1996 — Nabokov Vladimir. Novels 1955–1962 / Notes by Brian Boyd. — New York: Literary Classics of the United States, Inc., 1996. — (The Library of America).
NESTYEV 1946 — Nestyev Israel V. Sergei Prokofiev: His Musical Life / Tr. from Russian by Rose Prokofieva, introduction by Sergei Eisenstein. — New York: Alfred A. Knopf, 1946.
NOTITIA ORBIS ANTIQUI 1731 — Notitia Orbis Antiqui sive Georgaphia Plenior… illustratuit auxit L. Io. Conradus Schwartz, Eloq. a Graec. Ling. P. P. O. in Caliniriano. Lipsiae: Apud Ioh. Friderici Gleditschii, B. Fil., MDCCXXXI.
POTTER 1998 — Potter Pamela M. Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler’s Reich. — New Haven; London: Yale University Press, 1998.
PRUNI`ERES 1934 — Pruni`eres Henry. Le Xlle festival de la S. I. М. C., `a Florence // La revue musicale. — Paris, 1934. — № 145, Avril. — P. 317–321.
ROBINSON 1994 — Robinson Harlow. The Last Impresario: The Life, Times, and Legacy of Sol Hurok. — New York: Viking, 1994.
ROBINSON 2002 — Robinson Harlow. Sergei Prokofiev: A Biography. — 2 nded., with a new preface. — Boston: Northeastern University Press, 2002.
ROLLAND 1952 — Rolland Romain. Journal des ann'ees de guerre, 1914–1919: Notes et documents piur servir `a l’histoire morale de l’Europe de ce temps / Texte 'etabli par Marie Romain Rolland; Pr'eface de Louis Martin-Chauffier. — Paris: 'Editions Albin Michel, MCMLII.
ROSS 1938 — Ross Hugh. «The End of St. Petersburg» by Vladimir Dukelsky: Program Notes. — New York, [n.p.] 1938.
ROTHE 1977 — Die "alteste ostslawische Kunstdichtung 1575–1647 / Hrgb. von Hans Rothe. — Giessen: Wilhem Schmitz Verlag, 1976–1977. 2. Halbband. 1977.
SAMINSKY 1939 — Saminsky Lazare. Music of Our Day: Essentials and Prophecies. — New York: Thomas Y. Crowell, 1939.
SAMUEL 1971 — Samuel Claude. Prokofiev/Tr. Miriam John. — New York: Grossman Publishers, 1971.
SCHERR 1986 — Scherr Barry P. Russian Poetry: Meter, Rhythm, and Rhyme. — Berkeley, Los Angeles, London: University of California Press, 1986.
SCHLOEZER 1933 — Schloezer B. de. Igor Markd'eitch // La nouvelle revue francaise: Revue mensuelle de litt'erature et de critique. — Paris, 1933.— T. XLI. — P. 310–314.
SCHLOEZER 1936 — Schloezer B. de. Les soir'ees de Bruxelles, et le «Paradis Perdu» de Mark'evitch // La nouvelle revue francaise: Revue mensuelle de litt'erature et de critique. — Paris, 1936. — T. XLVII. — P. 234–238.
SCHLOEZER 1939 — Schloezer В. de. Chronique musicale // La nouvelle revue francaise: Revue mensuelle de litt'erature et de critique. — Paris, 1939. — T. LIII. — P. 630–635.
SLONIMSKY 2004 — Slonimsky Nicolas. Writings on Music: In 4 volumes / Ed. Electra Slonimsky Yourke. — New York; London: Routledge, 2004.
SOUVTCHINSKY 1932 — Souvtchinsky Pierre. Sur la musique d’Igor Mark'evitch // La revue musicale. — Paris, 1932. — № 128, juillet — ao^ut. — P. 93–100; Переиздано в: Re(lire) Souvtchinski (1892–1985) / Texts choises par Eric Humbertclaude. — Paris, 1990. — P. 246–252. Русский перевод: СУВЧИНСКИЙ 2001.
SOUVTCHINSKY 1939 — Souvtchinsky Pierre. La Notion du temps et la Musique (Reflexions sur la typologie de la creation musicale) // La revue musicale. — Paris, 1939. — № 191. T. 1. — P. 70–80.
SOUVTCHINSKY 1953 — Souvtchinsky Pierre. Introduction: Domaine de la Musique Russe // Musique Russe / 'Etudes r'eunis par Pierre Souvtchinsky. — Paris: Presses Universitaire de France, 1953. — T. 1. — P. 1–26.
STRAVINSKY 1970 — Stravinsky Igor. Poetics of Music in the Form of Six Lessons/English translation by Arthur Knodel and Ingolf Dahl; Preface by George Seferis [a bilingual edition], — Cambridge, Mass.: Harvard University Press, 1970. — (The Charles Eliot Norton Lectures for 1939–1940).
STRAVINSKY 1982–1985 — Stravinsky Igor. Selected Correspondence / Ed. and with commentaries by Robert Craft. — 3 v. — New York: Alfred A. Knopf, 1982–1985.
STRAVINSKY 1998 — Stravinsky Igor. Les Noces: In Full Score. — Mineola, N.Y.: Dover Publications, 1998.
STRAVINSKY, CRAFT 1966 — Stravinsky Igor, Craft Robert. Themes and Episodes. — New York: Alfred F. Knopf, 1966.
STRAVINSKY, CRAFT 1978 — Stravinsky Vera, Craft Robert. Stravinsky in Pictures and Documents. — New York: Simon and Schuster, 1978.
STRAWINSKY 1935 — Avant le Sacre: M'emoires inedits d’Igor Strawinsky [sic!] // La revue musicale. — Paris, 1935. — № 152, Janvier. — P. 1–14.
STRAWINSKY 1942 — Strawinsky Igor. Po'etique musicale sous forme de six lecons. — Cambridge, Mass.: Harvard University Press, 1942. — (The Charles Eliot Norton Lectures for 1939–1940).
TARUSKIN 1996 — Taruskin Richard. Stravinsky and the Russian Traditions. A Biography of Works Through Mavra. — 2 v. — Berkeley; Los Angeles: University of California Press, 1996.