Театр абсурда
Шрифт:
Come and Go(English original) first published in Samuel Beckett, Aus einem aufgegebenen Werk und kurze Spiele(a collection of short prose works and plays in the original language and German trans.), Frankfurt: Suhrkamp, 1966 (no. 145 in ‘Edition Suhrkamp'); separate publication, London: Calder Boyars, 1967 Eh Joe and Other Writings,London: Faber Faber, 1967, contains Eh Joe, Act Without Words II, Film Breath and Other Shorts,London: Faber Faber, 1971, contains: Breath, Come and Go, Act Without Words I, Act Without Words II, From an Abandoned Work Not I,London: Faber Faber, 197З Footfalls,London: Faber Faber, 1976 That Time,London: Faber Faber, 1976
End and Odds. Plays and Sketches,London: Faber Faber, 1977. contains: Not I, That Time, Footfalls, Ghost Trio,… but the clouds…, Theatre I, Theatre II, Radio I, Radio II Film. Complete Scenario; Illustrations; Production shots,New York: Grove Press, 1969
NARRATIVE PROSE
More Pricks than Kicks,London: Chatto Windus, 1934; one story, ‘Dante and the lobster’, New York: Evergreen Review,I, I
BIBLIOGRAPHY
Murphy,London: Roudedge, 1938; new edition, New York: Grove Press, n.d.
Watt,Paris: Olympia Press, 1958 Molby,Paris: Editions de Minuit, 1951 Malone Meurt,Paris: Editions de Minuit, 1951 L’Innommable,Paris: Editions de Minuit, 1953 Three Novels,London: Calder, 1959. contains: Molloy,trans. by Patrick Bowles, Malone Diesand The Uniumable,trans. by author Nouvelles et Textes pour Riot,Paris: Editions de Minuit, 1955 (a story trans. by Richard Seaver and author, ‘The end’, New York: Evergreen Review,no. 15, November-December i960)
Text for Nothing I,trans. by author, New York: Evergreen Review,no. 9, Summer 1959 From an Abandoned Work,London: Faber Faber, 1957; New York: Evergreen Review,I, 3, 1957 Comment C’Est,Paris: Editions de Minuit, 1961 (trans. by author, How It Is,New York: Grove Press, 1964; London: Calder, 1964); an extract from an earlier version of this novel, ‘L’image’,London: X,no. 1, November 1959 (another extract trans. by author, ‘From an unabandoned work’, New York: Evergreen Review,no.
14, September-October i960)
Imagination Morte Imaginez,Paris: Editions de Minuit, 196J (trans.
by author, Imagination Dead Imagine,London: Calder, 1965) assez,Paris: Editions de Minuit, 1966 bing,Paris: Editions de Minuit, 1966
No's Knife, Collected Shorter Prose 1947–1966,London: Calder Boyars, 1967, contains: Stories, Texts fir Nothing, From an Abandoned Work, Enough, Imagination Dead Imagine, Ping Premier Amour,Paris: Editions de Minuit, 1970 Le Dipeupleur,Paris: Editions de Minuit, 1970 (trans. by author, The Lost Ones,London: Calder Boyars, 1972)
VERSE
Whoroscope,Paris: The Hours Press, 1930 Echo’s Bones,Paris: Europe Press, 1935 ‘ Trois poemes’,Paris: Cahiers des Saisons,no. 2, October 1955 Poems in English,London: Calder, 1961
BIBLIOGRAPHY
Gedichte(bilingual edition of Echo’s Bonesfollowed by other poems in English and French, with German parallel translation), Wiesbaden: Limes, 1959
ESSAYS
Proust,London: Chatto Windus, 1931 (Dolphin series); reprinted New York: Grove Press, n.d.
Proust, Three Dialogues,London: Calder, 1965 ‘Dante … Bruno. Vico … Joyce’, in Our Exagmination round his Factification for Incamination of Work in Progress,Paris: Shakespeare
Co., 1929 Bram van Velde,New York: Grove Press, i960
ON BECKETT
abel, lionel, ‘Joyce the father, Beckett the son’, New York: The New Leader,14 December 1959 BENXLBY, eric, What is Theatre?Boston: Beacon Press, 1956 calder, john (ed.), Beckett at Sixty(essays by 24 contributors), London: Calder Boyars, 1967 COE, richard n., Beckett,Edinburgh and London: Oliver Boyd, 1964 (in the series ‘ Writers and Critics’) cohn, ruby, Samuel Beckett: The Comic Gamut,New Brunswick, N.J.: Rutgers University Press, 1962
— Back to Beckett,Princeton, N. J.: Princeton University Press,
1973
— (ed.), Samuel Beckett. A Collection of Criticism,New York:
McGraw-Hill, 1975
— Play Beckett,Princeton, N.J.: Princeton University Press,
1979
ellman, richard, James Joyce,New York and London: Oxford University Press, 1959 esslin, martin, ‘Samuel Beckett’, in The Novelist as Philosopher,ed. John Cruickshank, London: Oxford University Press, 1962 esslin, martin (ed.), Samuel Beckett, A Collection of Critical Essays,Englewood Clifis, N.J.: Prentice-Hall, 1965 (in the series ‘Twentieth-Century Views ’) pederman, Raymond, Journey to Chaos, Samuel Beckett’s Early
BIBLIOGRAPHY
Fiction,Berkeley and Los Angeles: University of California Press,
1965
federman, Raymond and FLETCHER, john, Samuel Beckett: His Work and His Critics, An Essay in Bibliography,Berkeley and Los Angeles: University of California Press, 1970 fletcher, john, T "he Novels of Samuel Beckett,London: Cbatto Windus, 1964
— Samuel Beckett’s Art,London: Cbatto Windus, 1967
fletcher, john and SPURLiNG, john, Beckett. A Study of his Plays,London: Eyre Methuen, 1972
FLETCHER, JOHN; FLETCHER, BERYL S.; SMITH, BARRY;
Walter, A Student’s Guide to the Plays of Samuel Beckett,London: Faber Faber, 1978 friedman, M. j. (ed.), Samuel Beckett,Paris: Minard, 1964 (‘Configuration Critique’ no. 8) gessner, n., Die Unzulanglidikeit der Sprache,Zurich: Juris, 1957 ‘Godot gets around’, New York: Theatre Arts,July 1958 guggenheim, peggy, out of this century, the informal memoirs of peggy guggenheim,New York: the dials press, 1946