Английский язык с Агатой Кристи. Убийства по алфавиту
Шрифт:
The photographs were three in all (фотографий было всего три). One was a cheap portrait of the girl (одна была дешевым портретом девушки) we had been with that afternoon (с которой мы были днем), Mary Drower (Мэри Дроуер). She was obviously wearing her best clothes (очевидно, она была одета в свою лучшую одежду) and had the self-conscious (у нее была неловкая: «и имела неловкую»; self-conscious — обладающий самосознанием; застенчивый, неловкий), wooden smile on her face (деревянная улыбка на лице) that so often disfigures the expression in posed photography (которая так часто обезображивает выражение /лица/ на постановочной
microscopic [makrs'kpk], dreary ['drr], self-conscious ['self 'kns]
Poirot passed through the door in question and I followed him. Behind the shop was a microscopic sort of parlour and kitchen combined. It was neat and clean but very dreary-looking and scantily furnished. On the mantelpiece were a few photographs. I went up and looked at them and Poirot joined me.
The photographs were three in all. One was a cheap portrait of the girl we had been with that afternoon, Mary Drower. She was obviously wearing her best clothes and had the self-conscious, wooden smile on her face that so often disfigures the expression in posed photography, and makes a snapshot preferable.
The second was a more expensive type of picture (вторая фотография была подороже: «вторая была более дорогим типом фотографии») — an artistically blurred reproduction of an elderly woman with white hair (искусно размытая репродукция пожилой женщины с седыми волосами: «белыми волосами»). A high fur collar stood up round the neck (высокий меховой воротник возвышался вокруг шеи; to stand up).
I guessed (я догадался; to guess — гадать, догадываться) that this was probably the Miss Rose (что это была, вероятно, та /самая/ мисс Роуз) who had left Mrs. Ascher the small legacy (которая оставила миссис Эшер небольшое состояние) which had enabled her to start in business (которое позволило ей завести свое дело: «начать бизнес»).
The third photograph was a very old one (третья фотография была очень старой), now faded and yellow (теперь выцветшей и желтой; to fade — вянуть; выгорать, выцветать). It represented a young man and woman in somewhat old-fashioned clothes (она изображала молодого мужчину и женщину в несколько старомодных одеждах; fashion — мода) standing arm in arm (стоящих рука об руку). The man had a flower in his buttonhole (у мужчины был цветок в петлице) and there was an air of bygone festivity about the whole pose (в /его/ позе чувствовалось ушедшее веселье: «и там была атмосфера ушедшего веселья во всей позе»; air — воздух; атмосфера; вид; обстановка).
"Probably a wedding picture," said Poirot (наверное, свадебная фотография). "Regard, Hastings (смотрите, Гастингс), did I not tell you (/разве/ я не говорил вам) that she had been a beautiful woman (что она была красивой женщиной)?"
blur [bl:], bygone [ba'n], whole [hl]
The second was a more expensive type of picture — an artistically blurred reproduction of an elderly woman with white hair. A high fur collar stood up round the neck.
I guessed that this was probably the Miss Rose who had left Mrs. Ascher the small legacy which had enabled her to start in business.
The third photograph was a very old one, now faded and yellow. It represented a young man and woman in somewhat old-fashioned clothes standing arm in arm. The man had a flower in his buttonhole and there was an air of bygone festivity about the whole pose.
"Probably a wedding picture," said Poirot. "Regard, Hastings, did I not tell you that she had been a beautiful woman?"
He was right (он был прав). Disfigured by old-fashioned hair-dressing and weird clothes (ни
I recalled the leering drunken old man (я припомнил кривляющегося пьяницу-старика; to leer — смотреть искоса, хитро, злобно, с вожделением), and the worn (и изнуренное; to wear — носить; изнашивать), toil-worn face of the dead woman (постаревшее от тяжелой работы лицо убитой; toil — тяжелый труд) — and I shivered a little at the remorselessness of time (и я слегка вздрогнул от беспощадности времени; remorse — раскаяние; сожаление).
From the parlour a stair led to two upstairs rooms (из гостиной лестница вела к двум комнатам наверху; to lead — вести). One was empty and unfurnished (одна была пуста и не обставлена /мебелью/), the other had evidently been the dead woman's bedroom (другая явно была спальней убитой).
weird [wd], disguise [ds'az], remorselessness [r'm:slsns]
He was right. Disfigured by old-fashioned hair-dressing and weird clothes, there was no disguising the handsomeness of the girl in the picture with her clear-cut features and spirited bearing. I looked closely at the second figure. It was almost impossible to recognize the seedy Ascher in this smart young man with the military bearing.
I recalled the leering drunken old man, and the worn, toil-worn face of the dead woman — and I shivered a little at the remorselessness of time.
From the parlour a stair led to two upstairs rooms. One was empty and unfurnished, the other had evidently been the dead woman's bedroom.
After being searched by the police (после того, /как ее/ обыскала полиция) it had been left as it was (ее оставили так, как есть). A couple of old worn blankets on the bed (пара старых потертых одеял на кровати), a little stock of well-darned underwear in a drawer (небольшой запас хорошо заштопанного нижнего белья в ящике; to darn — штопать, чинить), cookery recipes in another (кулинарные рецепты в другом), a paperbacked novel entitled The Green Oasis (роман под названием «Зеленый оазис» в бумажной обложке), a pair of new stockings (пара новых чулок) — pathetic in their cheap shininess (/вызывающие/ жалость своим дешевым блеском: «патетические в своем дешевом сиянии»; to shine — сиять) — a couple of china ornaments (пара фарфоровых фигурок; ornament — украшение, орнамент), a Dresden shepherd much broken (сильно разбитый дрезденский пастух; to break), and a blue and yellow spotted dog (и собака с желтыми и синими пятнами), a black raincoat (черный плащ) and a woolly jumper (и шерстяной свитер) hanging on pegs (висящие на /деревянных/ колышках) — such were the worldly possessions of the late Alice Ascher (такова была вся мирская собственность покойной Элис Эшер; to possess — владеть, обладать; late — поздний; покойный, недавно умерший).