Охотники за сокровищами

Уиттер Брет

• Report of the American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas. Washington, DC: U. S. Government Printing Off ce, 1946.

• Riedl-Dorn, Christa. Das Haus der Wunder: Zur Geschichte des Naturhistorischen Museums in Wien. Wien, Austria: Holzhausen, 1998.

• Rorimer, James J. Survival: The Salvage and Protection of Art in War. New York: Abelard Press, 1950.

• Roxan, David, and Ken Wanstall. The Rape of Art. New York: Coward-McCann, 1964.

• Sasser, Charles W. Patton’s Panthers: The African– American 761st Tank Battalion in World War II.New York: Pocket Books, 2005.

• Schrenk, Christhard. Schatzkammer Salzbergwerk: Kulturg"uter "uberdauern in Heilbronn und Kockendorf den Zweiten Weltkrieg. Heilbronn, Germany: Stadtarchiv, 1997.

• Schwarz, Birgit. Hitlers museum: Die Fotoalben Gem"a ldegalerie Linz. Vienna: B"ohlau Verlag, 2004.

• Sereny, Gitta. Albert Speer: His Battle with Truth. New York: Alfred A. Knopf, 1995.

• Shirer, William L. Berlin Diary: The Journal of a Foreign Correspond e n t : 19 3 4 – 19 41. Norwalk, CT: The Easton Press, 1991.

• Shirer, William L. The Rise and Fall of the Third Reich: A History of Nazi Germany, Volumes I and II. Norwalk, CT: The Easton Press, 1991.

• Sigmund, Anna Maria. Die Frauen der Nazis. Munich: Wilhelm Heyne Verlag, 2000.

• Simon, Matila. The Battle of the Louvre: The Struggle to Save French Art in World War II. New York: Hawthorne Books, 1971.

• Simpson, Elizabeth, ed. Spoils of War. New York: Harry N. Abrams, 19 9 7.

• Skilton, John D., Jr. Defense de l’art Europ'een: Souvenirs d’un off cier am'erican “Sp'ecialiste des Monuments”.Paris: Les Editions Internationales, 1948.

• Smyth, Craig Hugh. Repatriation of Art from the Collecting Point in Munich after World War II. New Jersey: Abner Schram Ltd., 1988.

• Speer, Albert. Inside the Third Reich. New York: Macmillan, 1970.

• Spotts, Frederic. Hitler and the Power of Aesthetics. Woodstock and New York: Overlook Press, 2002.

• Trial of the Major War Criminals before the International Military Tribunal: Nuremberg 14 November 1945–1 October 1946. Nuremberg: International Military Tribunal, 1947.

• Tutaev, David. The Consul of Florence. London: Secker and Warburg, 1966.

• Valland, Rose. Le Front de l’Art: 1939–1945. Paris: Librarie Plon, 19 61.

• Vasari, Giorgio. Lives of the Artists: Volume I. Translated by George Bull. London: Penguin 1987.

• Wheelock, Arthur K., ed. Johannes Vermeer. The Hague: Royal Cabinet of Paintings, Mauritshuis and the Board of Trustees, National Gallery of Art, Washington, 1995. Published in conjunction with the exhibit “Johannes Vermeer” shown at the National Gallery of Art, Washington, and the Royal Cabinet of Paintings Mauritshuis, The Hague.

• Whiting, Charles. Bloody Aachen. New York: Stein and Day, 1976.

• Woolley, Lt. Col. Sir Leonard. The Protection of the Treasures of Art and History in War Areas. London: His Majesty’s Stationery Offce, 19 47.

• Yeide, Nancy. Beyond the Dreams of Avarice: The Hermann Goering Collection. Dallas: Laurel Publishing, 2009.

Статьи

• “A l’Institut: Gaston Palewski fait l’'eloge d’un grand d'efenseur des Beaux– Arts Jacques Jaujard”. Le Figaro, November 21, 1968.

• Bradsher, Greg. “Nazi Gold: The Merkers Mine Treasure”. Prologue Magazine31, no. 1 (Spring 1999).

• Canady, John. “James Rorimer Left Cloisters to Excel in a Bigger J o b ”. New York Times, May 12, 1966.

• Chamson, Andr'e. “In Memoriam, Jascques Jaujard”. Musees et Collections Publiques(1967): 151–153.

• Cohn, Marjorie B. “George Stout’s Legacy”. Journal of the American Institute for Conservation18, no. 1 (1978).

• Esterow, Milton. “Europe is Still Hunting its Plundered Art”. New York T i me s, November 16, 1964.

• Gibson, Michael. “How a Timid Curator with a Deadpan Expression Outwitted the Nazis”. A R Tn e w s8 0 (Su m m e r 19 81): 10 5 –111.

• Hammett, Ralph. “Comzone and the Protection of Monuments in North– West Europe”. College Art Journal5, no. 2 (Jan. 1946): 123–126.

• Hammond, Mason. “The War and Art Treasures in Germany”. College Art Journal5, no. 3 (March 1946): 205–218.

• Hancock, Walker. “Experiences of a Monuments Off cer in German y ”. College Art Journal5, no. 4 (May 1946): 271–311.

• Houghton, Arthur A., Jr. “James J. Rorimer”. The Metropolitan Museum of Art Bulletin(Summer 1966, Part Two).

• Kirstein, Lincoln. “Quest for the Golden Lamb”. Town and Country100, no. 428 (Sept. 1945): 115.

• McGregor, Neil. “How Titian Helped the War Effort”. The Times(London), June 5, 2004.