Охотники за сокровищами
Шрифт:
• Che cosa hanno fatto gli Inglesi in Cirenaica. Rome: Ministero Della Cultura Popolare, 1941.
• Davidson, Eugene. The Trial of the Germans: An Account of the Twenty– two Defendants Before the International Military Tribunal at Nuremberg. New York: Macmillan, 1996.
• D’Este, Carlo. Patton: A Genius for War. New York: HarperCollins, 1995.
• D’Este, Carlo. Eisenhower: A Soldier’s Life. New York: Henry Holt, 2002.
• Duberman, Martin. The Worlds of Lincoln Kirstein. New York: Alfed A. Knopf, 2007.
• Dulles, Allen W. Secret Surrender: The Classic Insider’s Account of the Secret Plot to Surrender Northern Italy During WWII. Guilford, CT: Lyons Press, 2006.
• Edsel, Robert M. Rescuing Da Vinci: Hitler and the Nazis Stole Europe’s Great Art, America and Her Allies Recovered It. Dallas: Laurel Publishing, 2006.
• Eisenhower, David. Eisenhower at War, 1943–1945. New York: Random House, 1986.
• Eisenhower, Dwight D. At Ease: Stories I Tell to Friends. New York: McGraw-Hill, 1988.
• Esterow, Milton. The Art Stealers. New York: Macmillan, 1966.
• Fasola, Cesare. The Florence Galleries and the War. Florence: Casa Editrice Monsalvato, 1945.
• Feliciano, Hector. The Lost Museum: The Nazi Conspiracy to Steal the World’s Greatest Works of Art. New York: Basic Books, 1995.
• Fest, Joachim. Inside Hitler’s Bunker: The Last Days of the Third Reich. New York: Farrar, Straus and Giroux, 2002.
• Flanner, Janet. Men and Monuments. New York: Harper & Brothers, 19 5 7.
• Friemuth, Cay. Die Geraubte Kunst. Berlin: Westermann, 1989.
• Goldensohn, Leon. Nuremberg Interviews. New York: Knopf, 2004.
• Gray, Martin, and A. Norman Jeffares, eds. A Dictionary of Quotations. New York: Barnes and Noble Books, 1995.
• Hammer, Katharina. Glanz im Dunkel: Die Bergung von Kunstsch"atzen im Salzkammergut am Ende des 2. Weltkrieges. Wien: "Osterreichischer Bundesverlag, 1986.
• Hancock, Walker, with Edward Connery Lathem. A Sculptor’s Fortunes.
• Gloucester, MA: Cape Ann Historical Association, 1997.
• Hapgood, David, and David Richardson. Monte Cassino: The Story of the Most Controversial Battle of World War II. Cambridge, MA: Da Capo, 2002.
• Hastings, Max. Victory in Europe: D– Day to VE Day in Full Color. Boston: Little, Brown, 1985.
• Hirshon, Stanley P. General Patton: A Soldier’s Life. New York: Perennial, 2003.
• Hitler, Adolf. Mein Kampf. Translated by Ralph Manheim. New York: Houghton Miff in, 1943.
• Hobbs, Joseph. Dear General: Eisenhower’s Wartime Letters to Marshall. Baltimore: Johns Hopkins University Press, 1999.
• Howe, Thomas Carr, Jr. Salt Mines and Castles. New York: Bobbs-Merrill, 1946.
• Hughes, Anthony. Michelangelo. London: Phaidon, 1997.
• Joachimsthaler, Anton. The Last Days of Hitler: The Legends – The Evidence – The Truth. Translated by Helmut B"ogler. London: Arms and Armour Press, 1996.
• Kirstein, Lincoln. The Poems of Lincoln Kirstein. New York: Atheneum, 1987.
• Kubin, Dr. Ernst. Sonderauftrag Linz: Die Kunstsammlung Adolf Hitler, Aufbau, Vernichtungsplan, Rettung. Ein Thriller der Kulturgeschichte. Wien, Austria: ORAC Buch– und Zeitschriftenverlag, 19 89.
• Kurtz, Michael J. America and the Return of Nazi Contraband: The Recovery of Europe’s Cultural Treasures. Cambridge, UK: Cambridge University Press, 2006.
• Linklater Eric. The Art of Adventure. London: Macmillan & Co, Ltd., 19 47.
• L"ohr, Hanns Christian. Das Braune Haus der Kunst: Hitler und der “Sonderauftrag Linz”.Berlin: Akademie Verlag, 2005.
• Majdalany, Fred. Cassino: Portrait of a Battle. London: Cassell & Co., 1999.
• Methuen, Lord. Normandy Diary: Being a Record of Survivals and Losses of Historical Monuments in North– Western France, Together with Those in the Island of Walcheren and in That part of BelgiumTraversed by 21st Army Group in 1944–45. London: Robert Hale Limited, 1952.
• Nazi Conspiracy and Aggression, Vol. III. Washington, DC: U. S. Government Printing Off ce, 1946.
• Nicholas, Lynn. The Rape of Europa. New York: Vintage, 1995.
• Petropoulos, Jonathan. Art as Politics in the Third Reich. Chapel Hill: University of North Carolina Press, 1996.
• Petropoulos, Jonathan. The Faustian Bargain: The Art World in Nazi Germany. Oxford University Press, 2000.
• Pi~na, Leslie A. Louis Rorimer: A Man of Style. Kent, OH: Kent State University Press, 1990.
• P"ochm"uller, Dr. Ing. Emmerich. Welt– Kunstsch"atze in Gefahr. Salzburg: Pallas-Verlag, 1948.
• Puyvelde, Leo van. Van Eyck: The Holy Lamb. London: Collins, 1947.
• Rayssac, Michel. L’Exode des Mus'ees: Histoire des Oeuvres d’Art Sous l’Occupation. Paris: Editions Payot & Rivages, 2007.
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